- Notes provided by Lionsgate Films. -

SYNOPSIS

It all started when Charlie Logan was ten years old. Breaking the cardinal rules of spin-the-bottle, Charlie refused to lip-lock with a demented Goth girl -- and she put a hex on him. Now, twenty-five years later, Charlie (Dane Cook) is a successful dentist...and still cursed. While his plastic surgeon best friend, Stu (Dan Fogler), pursues as many of his patients as possible, Charlie can't seem to find the right girl. Even worse, he discovers at an ex-girlfriend's wedding that every woman he's ever slept with has found true love -- with the next guy after him. Before he knows it, Charlie's reputation as a "good luck charm" has women -- from sexy strangers to his overweight receptionist -- lining up for a quickie. But a life filled with all sex and no love has Charlie lonelier than ever -- that is, until he meets Cam (Jessica Alba). An accident-prone penguin specialist, Cam is as hard-to-get as she is beautiful. But when a genuine romance develops, Charlie realizes he's got to find a way to break his good-luck curse...before the girl of his dreams winds up with the next guy she meets.

A hilarious comedy about the luckiest -- and unluckiest -- guy on earth, GOOD LUCK CHUCK stars Dane Cook, Jessica Alba and Dan Fogler, and is directed by Mark Helfrich, produced by Mike Karz, Barry Katz and Brian Volk-Weiss and written by Josh Stolberg.

ABOUT THE PRODUCTION

Most single men would probably call Charlie, the titular hero in Lionsgate's comedy GOOD LUCK CHUCK, a blessed man. A "good luck charm" who miraculously helps women find true love with the next man they sleep with, Charlie can't get through the day without relationship-obsessed women throwing themselves at his feet. "At first it seems fantastic," says comedian and film actor Dane Cook, who stars as the lovelorn dentist. "He gets to play the field with no strings attached and he doesn't even have to try."

But things change when Charlie meets the girl of his dreams: Cam, a cute, hopelessly klutzy penguin specialist. All Charlie wants is to be with her; but he knows if he sleeps with her, he'll lose her. "The sexual tension is huge, and he's got to be the one who backs away from her, which leaves her wondering why," explains Cook. "It's like the most painful, film-length foreplay ever." If that weren't enough, Charlie has to find a way to break the curse that was placed on him when he was only ten years old, grapple with bad advice from his sexed-obsessed best friend, Stu, and navigate a journey marked by malicious penguins, the most disgusting one-night stand ever, and lots and lots of sex.

Says Cook, "I believe we are making a very funny film with a high comedy quotient. We've got three or four major moments that people are going to be talking about long after they leave the theater." Adds co-star Dan Fogler, who plays Charlie's buddy Stu, "This movie is truly hysterical. It pushes the R-rated envelope."

It all sounds like the high-concept creation of a Hollywood screenwriter, but GOOD LUCK CHUCK is actually inspired by the life of a real man named Steven Glen. Seven years ago, producer Mike Karz attended a party in Los Angeles and met Glen through a mutual friend. Glen was relating his romantic misadventures to his friends and revealed that at least seven women he had seriously dated met their ideal match soon after breaking up with him. "It just seemed like the perfect idea for a great romantic comedy," remembers Karz. He urged Steve to write a treatment, and later brought on screenwriter Josh Stolberg to pen a script.

Karz set up the project and partnered with Mark Helfrich, a highly regarded Hollywood film editor who was preparing to direct his first feature. Helfrich had a proven talent for comedy -- he edited all three RUSH HOUR films -- and his instinct was that GOOD LUCK CHUCK, which was originally conceived as a PG-13 film, would be far more successful as an R-rated comedy. He urged Stolberg to take another pass at the script and push it into more risqué territory. "There was so much potential that could be mined with an R-rated version," says Helfrich. "The language we could use and what we could show was unlimited."

Adds Karz, "The earlier drafts of the script aren't nearly as irreverent or edgy as the shooting script, and that was really Mark's influence. He helped make the movie a lot funnier than it was before."

Both Karz and Helfrich believed that comedian and rising film star Dane Cook was the first and only choice to play Charlie. Arguably the most popular stand-up comedian of his generation, Cook has amassed an unprecedented following through constant touring, HBO television specials, and an increasingly busy acting career. "Dane Cook was a natural to play Charlie because he's handsome and funny -- he's a star -- but he's still got this very real, guy-next-door quality," says Helfrich. "And he certainly has the comedy down. He was the perfect choice."

Helfrich flew down to New Mexico to meet with Cook, who at the time was completing Lionsgate's comedy, EMPLOYEE OF THE MONTH, with Jessica Simpson and Dax Shepard. After an encouraging meeting, both Cook and his manager, producer Brian Volk-Weiss, read the script. "I couldn't put it down," remembers Volk-Weiss. "We were shooting nights, and I was exhausted. But I lay there in bed for two hours until it was done. Dane did the exact same thing."
"With GOOD LUCK CHUCK you have a movie that plays into Dane's audience the way they know him," says producer Barry Katz, who also manages Cook. "He can be a regular sincere guy, but he can be crazy and really animated and really powerful. This movie takes huge risks the way Dane does in his stand-up. And if you don't take risks, the audience these days knows it and they're not interested."

Cook immediately recognized in GOOD LUCK CHUCK the opportunity to bring the edgier, no-holds-barred spirit of his stand-up into a commercially viable comedy. "I knew when I was about thirty pages into it," he recalls. "The script pushes the limits a bit, and it felt like it would be something my fans would appreciate. Plus, there were nude scenes with the beautiful Jessica Alba. So I was actually doing crunches while I read the script. I was preparing before I even knew I had the role."

After making her name in serious, special effects-laden Hollywood fare like FANTASTIC FOUR and SIN CITY, Jessica Alba was eager to try her hand at comedy. But finding a good female role in a genre dominated by men felt like an impossible task -- until she read Stolberg's script. She instantly fell in love with the part of Cam, and she lobbied hard for the role. "Not very many comedies are written as well as this one. And in a lot of them, women are just token characters," she says. "Cam gets to do all the physical comedy. And that was a rare opportunity."

While Cook and Alba immediately hit it off when they met, the producers were concerned about her lack of comedy experience -- that is, until Cook watched Alba host the MTV Music Video awards. The opening sketch was a spoof of King Kong, and Alba nailed it. "She was flawless," reports Cook. "It's so hard to find an actress who is attractive and can own her sexuality and is still comfortable enough to do physical comedy. Jessica did that during the King Kong sketch. The moment it finished, I called my manager and told him, `She's the one. I don't want to talk about anybody else.'"

Alba calls Cam "more me than any other role that I've played," and she jumped into the part with unbridled enthusiasm, insisting on performing all of her own pratfalls and stunts. "I'm usually a lot more self-conscious and aware that I have to be somebody else," she says. "But with Cam I got to be as goofy as I really am. I'm not afraid to be an idiot. I really just took the bull by the horns and did it. I even got a few bruises to prove my dedication."

While Alba was initially intimidated by the idea of working with a seasoned comedian like Cook, their chemistry flourished on set. She says, "From the first day of rehearsals, I knew that we were going to be okay. From morning till night we were laughing out butts off, and that's very rare. I couldn't have asked for a better partner in crime."

"Jessica is fantastic and I think that what she did was genius," adds Cook. "She's like a pistol. You don't know when she's going to go off and use her physicality. I hope this movie's successful simply so that we can work together on something else later."

"They kind of bust each other's balls a little bit, and it's great to watch," says producer Michael Karz. "The movie's improved because they have such a great rapport. When you see them onscreen, you see two people who truly enjoy being around each other."

Alba's and Dane's comedic enthusiasm reached unprecedented heights in a pivotal set piece depicting Charlie's and Cam's passionate -- and apartment-destroying -- first kiss. Remembers Dane, "We come into the house and we're knocking over lamps. We're smashing into the bowl of chips. We're going through the drywall. And we didn't take into consideration that when her head hits the wall, it would bounce back. Our mouths collided and we both chipped our teeth."

Rounding out the trio of leads is theater actor Dan Fogler in the role of Stu Klaminsky, Charlie's sex-obsessed, foul-mouthed best friend who works as a plastic surgeon across the hall. Fogler, who won a Tony Award in 2005 for his work in William Finn's and Rachel Sheinkin's musical, "The 25th Annual Putnam County Spelling Bee," relished Stu's combination of crassness and vulnerability. "Stu Klaminsky is a guy who's constantly squeezing boobies or pinching asses, making sure people's body parts are in the right place," explains Fogler. "He has no time for himself or relationships, and often goes home at the end of the day and has sex with some form of produce. So he lives vicariously through Charlie, who basically has every single woman who wants to get married at his disposal."

"Stu and Charlie are like Goofus and Gallant in many ways," adds Cook. "They're polar opposites, but with the same ethic when it comes to friendship."

"I think once this movie comes out, everybody's going to ask, `Who is Dan Fogler?'" states Karz. "Dan's chemistry with Dane is fantastic. And he's hilarious. He's going to be doing a lot more films from now on."

Fogler's theater training and Cook's knack for improvisation proved to be a winning combination. The pair ad-libbed constantly on set, a habit that Helfrich encouraged whole-heartedly. "This is a romantic comedy with an emphasis on comedy," says the director. "So whatever made me laugh or the crew laugh was great. We got what was in the script, and then they embellished. And you know, when you're working with talent like that, you can't lose."

With primary casting completed, producers Karz, Volk-Weiss and Barry Katz grappled with how to solve the script's biggest production challenge: creating the penguin habitat where Cam works. Karz laughs, "While he was writing, Josh Stolberg was at Sea World and thought, `Hey, I should put this penguin exhibit in the movie.' Little did he know it would cost us millions of dollars, bring us all over the world looking for penguins and ultimately be the biggest production value we have in the movie."

Extensive research revealed that most traditional penguin habitats are far too small -- only about ten by twelve feet -- to accommodate a full-sized film crew. The production solved this problem by building its own habitat in Edmonton (near the production's home base in Vancouver) and renting a small troupe of penguins that lived on display in a local mall. "Those penguins in the Edmonton Mall live in a little, normal size penguin habitat," says Helfrich. "So when we brought them to our set, it was like coming to Disneyland for them. They were running around like crazy thinking this was the greatest place ever. You know, `they've got a bigger pool, bigger mountains to climb on!' They didn't want to go home each night."

While the habitat was built to accommodate about two hundred penguins, the production only had access to about twenty live ones. In order to keep the habitat from looking like a penguin ghost town, Helfrich used CGI technology to duplicate the live penguins and populate the habitat with digital clones. Explains Karz, "When people see this movie, they're going to see a hundred penguins in every penguin scene, but in reality only about fifteen of them are real."

Having taken on the role of a penguin specialist, Alba had to familiarize herself with the waterfowl and learn how to handle them. "I wasn't really familiar with penguin behavior before. But they are darn cute and now I have a soft spot for them," says Alba. "I would massage this one in particular and she would always get really calm and settle into my hands. I think became a little bit of a penguin whisperer."

Though he was faced with choreographing complicated set pieces and wrangling a gaggle of live penguins, Helfrich found directing to be a natural extension of all that he had learned as an editor. "I've edited for decades, and I know what angles I want at what given time," he says. "Instead of shooting everything from every angle, I cut it down, which helped us go faster. It was great."

Karz reports that Helfrich displayed none of the uncertainty that marks many first-time helmers. "As an editor, Mark had already demonstrated all the skills that you hope to find in a strong director: he knows how to build a scene, he knows what's funny, and he knows how to identify good performance. He did a fantastic job."

"I just like Mark, whether or not he's directing," says Cook. "When you're working and collaborating with somebody who's also just a cool guy, then there's a buzz, an energy on the set. I know I can bring something to him, or he can bring something to me, and we can create it and figure it out together."

Freed from the confines of PG-13 standards, Helfrich enjoyed exploring the full comic potential of Stolberg's outrageous script. For a hilarious sex montage of Charlie taking advantage of his "lucky charm" status, Helfrich was inspired by the many contortionist sexual positions featured on an old Kama Sutra poster. "We actually used that poster and checked off the positions once we got them down on film," recounts Helfrich. "Dane was game for everything. And each actress was ready to go for broke. They were all thinking, `What's the most outrageous position? How can I top the last girl?"

GOOD LUCK CHUCK also features such rare sights as a three-breasted woman (the result of state-of-the-art make-up effects) and one of the most horrendous one-night stands imaginable. In that scene, Charlie attempts to prove his curse isn't real by sleeping with Eleanor Skepple, a foul-tempered, overweight shrew with terrible hygiene habits who couldn't possibly find the man of her dreams, even after a `good luck' tryst. Helfrich was very specific about the type of woman he wanted for the role, but the casting calls proved fruitless. "It was not an easy task," remembers Karz. "As you can imagine, we weren't exactly overrun with actresses in the industry who were looking to play this part."

Casting director Matt Barry decided to put an ad on My Space with the long-shot hopes of finding an appropriate amateur. Much to his surprise, he was inundated with audition videos from across the country. Deep in the heart of Texas, an Emergency Services Dispatcher named Jodie Stewart saw the ad and sent in her video...and a star was born.

"I was at work when I got the call on my cell phone," remembers Stewart. "I got lightheaded and I almost dropped the phone, I was so excited. All my co-workers were like, `Did you get it? Did you get it?' I'm very thankful that I actually took a leap of faith and tried something that I normally don't do."

Stewart was flown to Vancouver, ensconced in a suite at the plush Sutton Place Hotel, and began working with acting coach June Wilde on her part. With two hours of help from a very creative hair and make-up team, she was transformed into a character whose mother would have a hard time loving. "Jody was a natural," says Helfrich. "She had the crew in stitches the whole time she was on set."

While GOOD LUCK CHUCK more than delivers its share of broad laughs and gross-out gags, it stands apart from many comedies by offering a genuinely affecting love story that is grounded in reality. "There's a very sweet, very true love story at the core of this," says Alba. "It's all about finding your soul mate and not letting that person go once you find them, because it's so hard to find."

"My favorite films of all time have great heart," says Cook. "You want to make movies that are going to be on people's DVD shelf in ten years, and that's what I hope this is. It's a hardcore comedy. People are going to get tons of funny. But they're not going to expect the amount of depth that some of these relationships and characters have. I think that's what make this a cinematic adventure."

ABOUT THE CAST

DANE COOK (Charlie)
Named a "comedian phenom and icon" by Entertainment Weekly, Dane Cook has maintained his reputation as one of today's most prolific stand-up comedians while simultaneously distinguishing himself as a charismatic and versatile actor in a variety of film and television projects. Last fall, Cook starred in his first leading role as the likable slacker Zack in Lionsgate's EMPLOYEE OF THE MONTH, leading the romantic comedy to a box office gross of over $30 million and DVD sales that topped the charts. After inking a multi-faceted production deal with HBO early last year, Cook created, directed and starred in the network's nine-part comedy documentary series, "Tourgasm" and wrote, executive produced and starred in VICIOUS CIRCLE, a feature-length stand-up event.

Numerous upcoming film and television projects include starring roles in Touchstone's DAN IN REAL LIFE (with Steve Carell) and MGM's thriller, MR. BROOKS (with Kevin Costner, Demi Moore and William Hurt). Through his production company, SUperFInger Entertainment, Cook will also produce and star in EX-FAMILY for The Weinstein Company, as well as an untitled father/son comedy for Disney. Cook has appeared in a number of feature films, including WAITING (with Ryan Reynolds and Anna Farris), LONDON (with Jessica Biel and Chris Evans), TORQUE (with Ice Cube), and MYSTERY MEN (with Ben Stiller).

Combining energetic physical comedy, clever wordplay and trenchant observations about human behavior, Cook's unique brand of stand-up and accessible guy-next-door attitude have galvanized audiences of all ages. Two years ago, he catapulted to media headlines when his sophomore comedy CDx2/DVD, Retaliation, bucked industry trends by debuting at #4 on the Billboard 200. The album, which has hit double platinum, marked him as the highest charting comedian in 29 years, earning him a place alongside best-selling comedy vets Bill Cosby, George Carlin and Steve Martin. His debut CD/DVD release, Harmful If Swallowed, appeared on eight different Billboard charts and is certified platinum.

Last year, Cook hosted the season premiere of a "Saturday Night Live," helping the program earn the highest non-sports ratings of any network that year. A highly sought-after talk-show guest, he's appeared multiple times on "Jimmy Kimmel Live," "The Late Show with David Letterman," "Late Night with Conan O'Brien" and "The Tonight Show." For Comedy Central, he's headlined "Comedy Central's Insomniac Tour Movie" and lent his voice to "Crank Yankers" and "Shorties Watchin' Shorties."

In addition to appearances at such venues as Carnegie Hall and Chicago's Allstate Arena, Cook performed two record-breaking shows of 38,000 at Boston Garden, and has appeared for crowds of 39,000 at Madison Square Garden and 50,000 at the University of Florida's Gator Growl.

Raised in the Boston suburb of Arlington, MA, Cook began his career at age 18, honing his craft on the college and comedy club circuits. A firm believer in connecting personally with his fans, Cook became one of the first comics to develop and maintain his own website to reach out to audiences. He still routinely spends hours every day personally answering fans' emails and works tirelessly to remain accessible through blogs, podcasts, and free downloads of his routines. As a result of his efforts, his website, danecook.com, now receives over 500,000 hits per month and his MySpace following has grown to an unprecedented community of 1,800,000 friends.

Additionally, Cook's popularity has been further cemented by the advent of the "SU-FI"(short for SUperFInger), a hand signal based on one of his jokes that has been embraced by fans and now appears everywhere, from tattoos and stickers to graffiti on US tanks in Iraq. In November of last year, Cook also broke ground in the music industry with the release of his first rock single, "I'll Never Be You," which is currently available on iTunes.

Among his many honors as a stand-up comedian, Cook was named Rolling Stone Magazine's "Hot Comic," Stuff Magazine's "Coolest Comic of the Year," and the winner of "Comedy Central's Standup Showdown." Last year, his arrival on the cultural stage was confirmed when Time Magazine listed him as one of the world's 100 "Most Influential People."

Cook currently lives in LA, where he continues to develop new comedy material and film and television projects.

JESSICA ALBA (Cam)

Jessica Alba fell in love with acting at a very early age, becoming active professionally at the age of 12. She began studying with acting coaches in Los Angeles and, shortly thereafter, landed at the Atlantic Theatre Company, where she studied with founders William H. Macy and David Mamet.

Alba first achieved worldwide recognition as the lead character in James Cameron's "Dark Angel," Mr. Cameron's first project after the history-making TITANIC and his first television venture. In the series, Alba portrayed Max, a genetically-enhanced human prototype who escapes from her government captors only to live out her life on the run in the underground of 21st Century Seattle. In the series' first season, she was nominated for a Golden Globe and a People's Choice Award. She was voted the TV Guide Award as Breakout Star of the Year by readers, and won Favorite TV Actress at the 2001 Teen Choice Awards. "Dark Angel" has been a success around the world, helping to establish her as an international star.

Her early feature film credits include 20th Century Fox's NEVER BEEN KISSED, starring and produced by Drew Barrymore, as well as the thriller, IDLE HANDS for Sony Pictures. She later starred as the title character in Fine Line Features' romance THE SLEEPING DICTIONARY, a period drama which co-starred Brenda Blethyn, Bob Hoskins, Emily Mortimer, Noah Taylor and Hugh Dancy. Her first starring role in a major studio film was the 2003 release, HONEY. The contemporary urban drama from Universal Pictures grossed over $60-million worldwide.

In 2005, Alba's film career began to catch fire. She starred opposite Bruce Willis and an all-star cast in the provocative and critically acclaimed SIN CITY, directed by Robert Rodriguez and Frank Miller. She next starred as Sue Storm THE INVISIBLE GIRL in Marvel Comics' action-franchise blockbuster FANTASTIC FOUR, which was released by 20th Century Fox in July 2005 and became a worldwide box-office success, with over $300 million in revenue. Later the same year, she starred in the 2005 underwater action-adventure, INTO THE BLUE.

In 2005, the combined worldwide box office for FANTASTIC FOUR, SIN CITY and INTO THE BLUE totaled over half a billion dollars. There is talk of a sequel to SIN CITY and the next installment of the popular comic book adaptation, FANTASTIC FOUR: THE RISE OF THE SILVER SURFER, opens worldwide in June 2007.

Alba has also completed the psychological thriller, AWAKE, with Terrence Howard, Hayden Christiansen and Lena Olin, which will be released by The Weinstein Company. She has also filmed a role in the independent comedy, BILL, with Aaron Eckhart and Elizabeth Banks. She has most recently completed filming the starring role in the remake of Hong Kong's psychological horror hit, THE EYE, for Lionsgate Films and Cruise-Wagner Productions, to be released in early 2008.

Alba has appeared in a several iconic and lucrative endorsement campaigns including the famous Got Milk? "milk mustache" campaign and was featured in a star-studded 30th Anniversary campaign for The Gap, as well as other prestigious campaigns in the U.S. and internationally. She recently signed a global endorsement contract representing Revlon, joining an elite group of beauties representing the brand, including Halle Berry, Eva Mendes and Sheryl Crow.

She showcased her comedic talents as host of the 2006 MTV Movie Awards and she has appeared on countless prestigious magazine covers in the United States and throughout the world.

Although many would describe her as an exotic beauty, Alba was raised in a traditional American family in California. Her mother's family has a French-Danish heritage, while her father is from Mexican-Indian and Spanish lineage.

DAN FOGLER (Stu)

Dan Fogler won a Tony Award in 2005 for his performance in the Broadway production of William Finn and Rachel Sheinkin's musical The 25th Annual Putnam County Spelling Bee, directed by James Lapine. Mr. Fogler was also honored with the Outer Critics Circle, Drama Desk, and Theatre World Awards for his portrayal.

He returned to the New York stage in the fall of 2006 in Dan O'Brien's The Voyage of the Carcass, directed by Randy Baruh. He had previously appeared in off-Broadway and regional productions, including Bobby Gould in Hell; Joe Fearless; Crepuscule; Bridges and Harmonies; White Devil; and Dilettantes & Debutantes.

Mr. Fogler, who holds a BFA from Boston University, is now making the transition into a film career. Recently seen in Todd Phillips' School for Scoundrels, he next stars in Kyle Newman's Fanboys; Michael Canzoniero and Marco Ricci's The Marconi Bros.; Mark Helfrich's Good Luck Chuck; Jay Lavender and Jeremy Garelick's The Golden Tux.

He is also part of the voice cast of the upcoming animated features Kung Fu Panda (directed by Mark Osborne and John Stevenson) and Horton Hears a Who (directed by Jimmy Hayward and Steve Martino)."

LONNY ROSS (Joe)

On the hit NBC sitcom "30 Rock," Lonny Ross plays comedic actor and impressionist Josh Girard, a cast member of a fictionalized late night variety show that the series takes place behind the scenes of. This fall, Lonny will reprise his role of Josh as "30 Rock" returns for it's second season.

A performer of stand-up and sketch comedy, Lonny has also appeared as a guest and in numerous sketches on NBC's "LATE NIGHT WITH CONAN O'BRIEN. He was recently seen in the independent comedy WATCHING THE DETECTIVES starring Cillian Murphy and Lucy Liu.

Lonny lives in New York City.

ABOUT THE FILMMAKERS

MARK HELFRICH (Director)

Mark Helfrich makes his feature film directorial debut with GOOD LUCK CHUCK, a fulfillment of a life long dream. Mark wanted to be a director since his first visit to a film set at age 12, a 16mm educational short that his father had written. Mark's first job was working in a movie theatre, first as a ticket taker, eventually becoming the Promotion and Arts Director for the Theatre. He was a projectionist as well as a radio DJ when he attended the University of Wisconsin, Madison. Since moving to Hollywood, Mark has worked as a feature film editor. His credits include the box-office record breaking X-MEN: THE LAST STAND, all three RUSH HOUR films, RED DRAGON, THE FAMILY MAN, MONEY TALKS, PREDATOR, RAMBO: FIRST BLOOD PART II, SCARY MOVIE, among many others. His feature film editorial credits have earned more than a billion dollars at the box office. A long standing collaboration with director Brett Ratner includes other editorial credits, among them the pilot episode of the hit Fox series "Prison Break" and the award winning music video for Madonna's song, "Beautiful Stranger" from AUSTIN POWERS. Mark Helfrich is also a published photographer. His book, "Naked Pictures of My Ex-Girlfriends" was published in 2000, and the Taschen publication, "The New Erotic Photography" in 2007. Mark currently lives in the Los Angeles area with his wife and two children.

MATTHEW BARRY (Casting Director)

Born in New York -- He was a successful actor best known for starring in Bernardo Bertolucci's film LA LUNA -- after many years of acting, he begged Barry Levinson for a job working in production. He was offered a job in casting. 14 years later, he is still loving it. He has survived Brett Ratner on RUSH HOUR, RUSH HOUR 2 and FAMILY MAN. He worked with Tim Burton on ED WOOD and MARS ATTACKS, Nick Cassavetes on UNHOOK THE STARS, SHE'S SO LOVELY, JOHN Q, THE NOTEBOOK and most recently ALPHA DOG, and Jerry Bruckheimer on CRIMSON TIDE and CON AIR.

MARK FREEBORN (Production Designer)

After Architectural College, Mark Freeborn fell in love with an Actress at the University where he was studying Art and Design. He spent the next few years in theater working as a stage manager, technical director and art director. A move into television and film as a set decorator introduced him to Bob Clark (PORKYS, CHRISTMAS STORY).

His move into production design came with Joel Schumacher's COUSINS, Mark and Jonathan Kaplan's IMMEDIATE FAMILY, and continued with LOVE FIELD and IN COLD BLOOD. A chance meeting with Chris Carter led to 3 seasons of the ground breaking series MILLENNIUM, THE LONE GUNMEN and HARSH REALM. Collaborations with Director David Nutter and others resulted in several pilots: DARK ANGEL, TARZAN AND JANE, MISSING PERSONS, AND BIG GIRLS DON'T CRY.

Continuing a friendship with Glen Morgan and Jim Wong, (MILLENIUM) Mark designed WILLARD, FINAL DESTINATION 3 and BLACK CHRISTMAS. He recently wrapped a very exciting TRICK `r TREAT with new Director Michael Dougherty. In the course of his career, Mark has over 40 film credits and received 2 nominations and one design award.

TRISH KEATING (Costume Designer)

Trish Keating was born in Quebec, Canada and raised in a university town in Nova Scotia where her father was a professor. Upon graduation from St. Francis Xavier University in 1968 with a Bachelor of Science degree in Clothing and Textiles, Trish went on to earn her Certificate in Fashion Design from The British Columbia Academy of Fashion in Vancouver. After working at CBC Television as Assistant Costume Designer, she furthered her education and received a Diploma in Costume Studies from Dalhousie University in Halifax, Canada.

Ms. Keating returned to Vancouver and continued her professional career designing costumes for over 200 television commercials before working on feature films and television movies.

Her made-for-television and series credits include: "Living With The Dead" (a CBS mini-series),"Christmas on Division Street," "A Call to Remember," Lee Grant's "Seasons of the Heart" starring Carol Burnett and George Segal and the Hallmark Hall of Fame presentation, "Johnny's Girl," a 1960's period piece starring Treat Williams.

Among her most prominent feature film credits as costume designer are: IN THE LAND OF WOMEN, MAN ABOUT TOWN, THE SIXTH DAY, DISTURING BEHAVIOR, WHAT FANG II, THE ACCUSED, and NEVER CRY WOLF. Trish's most recent adventures in feature film costuming include the thriller "Trick `r Treat" (coming to theaters in October).

JULIA WONG (Editor)

Julia Wong was born and raised in Philadelphia. While attending film school at Temple University, she was nationally recognized by the American Cinema Editors (A.C.E.) with an Eddy Award for Best Student Editor. After being an additional editor on Brett Ratner's AFTER THE SUNSET, Wong went on to edit a few low-budget films that Ratner produced, as well as his television pilot, "Prison Break." In 2006 she edited X-MEN THE LAST STAND, along with Mark Helfrich and Mark Goldblatt, for which they all won the Golden Satellite Award for Best Editing.

ANTHONY B. RICHMOND A.S.C., B.S.C. (Director of Photography)
Anthony B. Richmond, A.S.C., B.S.C. (Director of Photography) has been a cinematographer for well over three decades. His most recent credits include THE COMBACKS, SHADE, HAVANA NIGHTS, WALK ON THE MOON, LEGALLY BLONDE, RAVENOUS, MEN OF HONOR, THE SWEETEST THING, SOMEONE LIKE YOU, JUST FRIENDS and JOHN TUCKER MUST DIE.

This award winning DP has had numerous collaborations with Director Nicolas Roeg, lensing 5 of his films DON'T LOOK NOW, for which Richmond won the prestigious BAFTA award, THE MAN WHO FELL TO EARTH, BAD TIMING, HEART OF DARKNESS and FULL BODY MASSAGE for Showtime. Some of Richmond's other credits include CANDYMAN, STARDUST, ROUGH RIDERS, THE EAGLES HAS LANDED and THE GREEK TYCOON. He also served as DP on both Angelica Houston's directorial debut BASTARD OUT OF CAROLINA as well as Sean Penn's INDIAN RUNNER.

Richmond was also responsible for photography on the seminal British music scene of the late 60's. He shot the Rolling Stones classic, "Sympathy For The Devil" for Jean-Luc Godard, then collaborated with Michael Lindsey Hogg on "The Rolling Stones Rock And Roll Circus" and the Beatles, "Let It Be." His other rock and roll credit includes the Who's, "The Kids Are Alright."
Richmond has just wrapped principal photography on Director Adam Gierasch's AUTOPSY and is about to start shooting Fox's "The Rocker" for Director Peter Catteneo

Born and raised in London, Richmond literally worked his way up through the ranks to his current position of Director of Photography. He began at the age of 15 as a messenger with Associate British Cinemas and later with Pathe-News where he was promoted to the camera department. He next worked as Assistant Cameraman of such films as CALL ME BWANA, FROM RUSSIA WITH LOVE, DEVIL-SHIP PIRATES and DOCTOR ZHIVAGO.

Richmond served as focus-puller on CASINO ROYALE and on FAR FROM THE MADDING CROWD for Director John Schlesinger, whom he also later served as Cinematographer of the documentary ISRAEL made just days after the SIX-DAY WAR. Shortly afterwards, Richmond began to work as Director of Photography on feature films.

Cast
(in order of appearance)
Young Charlie Connor Price
Young Stu Troy Gentile
Birthday Girl Mackenzie Mowat
Goth Girl Sasha Pieterse
Jennifer Caroline Ford
Charlie Dane Cook
Carol Chelan Simmons
Stu Dan Fogler
Natalie Natalie Morris
Reba Ellia English
Karaoke Singer Chang Tseng
Wedding D.J. Michael Teigen
Bride Chiara Zanni
Groomsman Ben Ayres
Dirty Talker Carrie Anne Fleming
Female Wedding Guest Agam Darshi
Cam Jessica Alba
Cam's Wedding Friend Crystal Lowe
Carol's New Man Steve Glenn
Screaming Little Girl Téa Helfrich
Pleasure Yasmine Vox
Joe Lonny Ross
Woman in Car Tava Smiley
Frisbee Kid Connor Dunn
Frisbee Grandmother Norma Cowley
Ceiling Lover Elizabeth Schnitzker
Red Haired Lover Michelle Andrew
Lara Annie Wood
Wheelbarrow Lover Eliza Bayne
Dirty Talker's True Love Ed Welch
Contortionist Lover Tammy Morris
George W. Lover Kari-Ann Wood
Butch Cop Camille Atebe
Kitchen Counter Lover Jessica Olafson
Shower Lover Susan McLellan
Magazine Lover Zara Taylor
Thankful Lover Viviana Dal Cengio
Girl in Penguin Habitat Cassandra Sawtell
Eleanor Skepple Jodie Stewart
Eleanor's Boyfriend Ian Farthing
Singing Quartet Charlie Metzger George Metzger
George Wakeham Martin Lovick
McTitty Lindsay Maxwell
Not George Aaron Dudley
Boy in Penguin Habitat Liam James
Aquaworld Security Kevin Crofton
Desperate Woman June B. Wilde
Lila Jodelle Micah Ferland
Anisha Michelle Harrison
Howard Steve Bacic
Howard's Wife Georgia Craig
Ticket Agent Jody Racicot
Airport Security Guard Robert Kelly
Not Cam Emma Barker
Flight Attendant Taayla Markell
Woman on Plane Heather Doerksen

Stand In for Charlie Chris Olech
Stand In for Cam Taryn Dakha

Stunt Coordinator Melissa Stubbs

Filmmakers
Production Manager Padi Mills

First Assistant Director Richard Coleman

Second Assistant Director Glenn Bottomley

Executive in Charge of Production Donna Sloan

Supervising Sound Editor Glenn T. Morgan M.P.S.E.
Sound Re-Recording Mixers Orest Sushko
Adam Jenkins
Patrick Cyccone
A-Camera Operator Steve Adelson
First Assistant Camera Ian Seabrook
John Edward "Ted" Smith
Second Assistant Camera Amie Gibbins
B-Camera Operator Todd Williams
First Assistant B- Camera Steve McKnight
Second Assistant B- Camera Dan Volonino
Film Loader Shane Geddes
Camera Trainee Raimey Casiro
Video Assist Coordinators George Collins
Casey MacIntyre
Video/Computer Playback Darren Robertson
Kali Smith
Still Photographer Sergei Bachlakov

Script Supervisor Pat Barry

First Assistant Editor Alain J. Romi
Assistant Editor (Canada) Paul Klassen
Editorial Production Assistant Carmen Morrow

Post Production Supervisor Carl Pedregal

Post Production Manager Mark W. McCoy
Post Production Coordinator Cortney Haile
Post Production Accounting Emily Rice
Liam Hearne

Sound Mixer Darren Brisker
Boom Operator Jon Lavender
Sound Assistant Graham Timmer

Key Grips Michael McLennan
Tony Whiteside
Best Boy Grip Brad Olesky
Dolly Grip Paul Sheridan
B Dolly Grip Paul Thompson
Grips Grant Hamakawa
Donnie Armstrong
Triston Nelson
Key Rigging Grip Herb DeWaal
Best Boy Rigging Grip Cameron Beck
Rigging Grip Chris Anderson
Scorpio Head Scott Wells
Camera Crane Technicians Brian Brook
Peter Grottek
James Salberg
Barrie Wells
Mike West
Technocrane Operators Ian Guns
Chris Hajek
Ken Starr
Lighting Crane Operator Richard Hebman

Gaffer David Tickell
Best Boy Electric Craig Jones Andrew Pereszlenyi
Key Rigging Gaffer Sean Oxenbury
Best Boy Rigging Kurt Zelmer
Roger Wells
Andy MacLeod
Lamp Operators Paul Bougie
Tom Paleczka
James Listen
Rigging Lamp Operators
Peter Kazakoff Andrew J. MacLeod Joe Peters
James R. Sward Andrew Tudge Jerrit Wilson Kevin Young "Jelly"

Set Wire Technician Scott Vere

Art Director Tony Wohlgemuth
Assistant Art Director Anneke Van Oort
Art Department Coordinator Wes Harmer
Set Designers Jim Steuart
Walter Ockley
Set Decorator K.J. Johnson
Assistant Set Decorator Joy Munt
Lead Dresser Anthony Beck
On Set Dresser Jared Brown
Set Dressers Adam Catt
Leah Wiebe
Darrell Shibley
James Blackmore
Christopher Thomas Baker
Glenn Belanger
Alison Cockburn
Eliza Hooker
Patton Nam
Paul White
Jeff Munt
Sarah Shruger
Ross Wahl
Mark C. Wood
Buyers Murray McConaghy
David Turgeon
Storyboard Artist Nelson Dewey
Graphic Designers Chris Buffett
Scenic Artists Maria S. Tratt
Wayne Smith
Sharon Blanchard
Greensmen Travis J. Brooks
Chris Motlock
Hesham Abahmed
John Carr
Jay McGeachan
Darren Watson

Property Master David Sinclair
Assistant Property Master Ea Birkett
Assistant Props Tiara Motem
Erinne Drake
Troy Eirich
Jeff Hornby
Buyers Gregory R. Sugg
Jill Goodman
Model Maker Jim Bridge
Truck Person/Food Stylist Cindy Robertson
Props Truck Darren J. Allan

Construction Coordinator Mike Rennison
Construction Foreman Paul Rinaldi
Lead Hands Jeff Hanratty
Grant Wildi
Krista McCambridge
Lead Carpenter Brian Kaiser
Carpenters Josh Greenfield
Marian L. Brant
Dale Collins
Jordan Crockett
Trevor O. Curley
Terry Forrster
Andre LeFrance
Richard Miller
L.M. Primrose
George Pavan
Gregory Price
Barry Rennie
Stephen James Robinson
Bruce James Turpin
Chad Walmsely
Izaak Warmenhoven
John Wilson
Jerry Zarycki
Buyer Chris Delich
Laborers Beth Grieve
Shane Lavender
Kathleen Molder
Rory Rennison
Peter Salmon
Shawn Schmidt
Victor Sieniewicz
Robert Smole
George Brett Stark
Chris Sturges
Jim Walsh
Lead Metal Fabricator Dean Wilson
Metal Fabricator David Reynolds
Paint Coordinator Jenny Seinen
Paint Foreman Mike Crosier
Painters Matt Hewson
Chris Clark
Dominique Baker
Scott Farquliarson

Assistant Costume Designer Gail Barrett
Set Supervisors Debbie Geaghan
Maria L. Skeys
Costume Coordinator Sondra Durksen
Prep Costumers Luisa Dal-Magro
Susie Milka
Grace M. Anderson
Derek Baskerville
Set Costumer Lori Kenney
Truck Costumers Silke Guglielmo
John Dennison
Seamstress Phuong Chau
Sultana Salampassis
Cutter Kieu Nguyen

Key Makeup Artist Margaret Yaworski
First Assistant Makeup Tanya Howard
Shauna Magrath
Teresa Meyers
Second Assistant Makeup Tamar Ouziel
Janice Rhodes
Assistant Makeup Shauna Magrath
Makeup Artist for Ms. Alba Maya Hardinge
Makeup Effects Artist Toby Lindala

Key Hairstylist Julie McHaffie
First Assistant Hairstylists Brownwyn J. Dubrulle
Danna Rutherford
Second Assistant Hairstylists Jennifer Muntor
Heather McLellan
Hairstylist for Ms. Alba Michelle Johnson

Location Manager Michael Roberts
Assistant Location Managers David Tamkin
Dominic Main
Location Scouts Nick Bergstedt
Mike Helms
Tim Moshansky
Ron Wakaluk
Desiree Young
Izabella Zubek
Location Trainee Geoffrey Dodd
Special Effects Coordinator Bill Mills
First Assistant Special Effects Ted Sweet
Second Assistants Special Effects Dave Horwood
John Reynolds
Special Effects Rain Truck Glenn Nixon

Transportation Coordinator Gord McMillan
Transportation Captains Bob Buxton
Bob Thorner
Graeme Tait
Drivers Larry Abbott
Damien Milord
Dave Driscoll
Dave Henderson
Don Lawrence
Elias El-Skaf
Glen Hunter
James Kish
Les Joyner
Nigel Habgood
Robert Stanhope
Ross Wilkinson
Terry Noble
Tom Davis
Bruce Scott
Bob Roberts
Sean Kennedy
Dan Lawrence
Lori Merchant-O'Dwyer
Genny Operator Thomas F. Watson
Insert Car Driver Larry Tardif
Camera Car Operator Andy Gilmore

Production Coordinator Terri Garbutt
First Assistant Production Coordinator Sarah Collins
Second Assistant Production Coordinator Wendy L. Adjoury
Office Production Assistants Randall Thomas
Frederick Heartline

Second Second Assistant Director Karin Behrenz
Third Assistant Directors Leanna Inokoshi
Chad Belair
Assistant Director Trainee Carole Fleming
Key Production Assistants Kinnon Ross
Derrick Roger
Holly Pinder
Khene Tan
Tammy Nielsen

Production Assistants
Thomas Affolter Rob Archibald
Brent Badger Louise Bourassa
Derek DiPalma Damon Evans
Jeneane Evans Lucas Klaukien
Chris MacArthur Ryan Maier
Kristen McAdam Jennifer Opas
Shelly Paul Marina Perilli
Holly Pinder Brandon Pond
Lisa Poole Arden Rhine
Derrick Roger Peter Scott
Victor Semenoff David Sharp
Laurie Simon Martin Smeaton
Dwayne Stanhope Karly Stilling
Lisa Swan Eric Swanson
Darius Tolkien-Spurr Lucie Tribble
Josh von Hardenberg Miles Velner
Robert J. Werner Bryn Williams
Production Accountant Michael Grigsby
First Assistant Accountant Dale Cornick
Payroll Accountant Kerri Boyce
Accounting Assistants Leila Fritz
Sybille Gries
Natalie Kangropool

Assistant to Michael Paseornek Bree Bailey
Assistant to Donna Sloan Daniel MacArthur
Assistant to John Sacchi Hernany Perla
Assistant to Mark Helfrich Matt Granger
Assistant to Tracey Edmonds Adris Debarge
Assistants to Mike Karz Carol-Lynne Michaels
Josh Goldenberg
Assistant to Brian Volk-Weiss Laura Dunkelgrun
Assistant to Barry Katz Julie Ayers
Assistant to Ogden Gavanski Laura Obenaus
Cast Assistants Elise Gaylie Brandon Gonzales

Dialogue Coach June B. Wilde
Tutor/Welfare Worker Rick Heal
Horse Wrangler Greg Hanson
Danny Virtue
Dove Wrangler Steve Woodley
Penguin Wranglers Marine Life Department at West Edmonton Mall
Jillian Rutledge
Angela Petersen
Donna Ready
Darren Taylor
Suzanne Boychuk
Amanda Lussier
Sonal Malliah

Caterer Geoff The Chef Ltd
Chef Geoff Titcomb
Assistant Chefs Mike Riley
Shawn Timoteo
Claire Skill
Jonathan Duquette
Tyler Robinson
Third Caterer Amber Jardine
Third Cooks Grant Peters
Dal Watson
Craft Service Susan Strubin
Assistant Craft Services Ramona Dawe
Ronalda Simpson

Set Security Rick Imeson
Graeme Tait

Maintenance Joe Domijan

Production Services Karen Powell

Rights and Clearances by Entertainment Clearances, Inc.
Laura Sevier Cassandra Barbour

Unit Publicist Bill Vigars
EPK Jonas Stolpe

Casting Assistants Tricia Thompson
Leah Nelson
Judy Cook
Extras Casting Sandra-Ken Freeman
Extras Casting Assistant Alicia Scott
Background Coordinators Alli Nowak
Rachel Taylor

2nd Unit Stunt Coordinator Scott Ateah

Edmonton Unit

Production Manager Jim O'Grady

First Assistant Director Alex Burnett

B Camera Operator John Spooner
1st Assistant Camera Steve McKnight
2nd Assistant Camera Brett Manyluk

Company Grips Jarrett Ozegovich
Daniel E. Beggs
Zach Hamm
Jonathan Biley
Key High Rigger Wayne Collins
Rigging Grips Dave Oudshoorn
Geoff Bacchus
David Hartley
Alan Sorochan
Kevin Humphrey
Technocrane Technicians James Salberg
Barrie Wells
Scorpio Head Technician Cary Cooper

Key Rigging Gaffer Martin Wilde
Rigging Best Boy Al Wightmore
Board Operator Perry Harris
Lamp Operator Peter Markowski

Set Dresser Myron Hyrak
Props Assistant Bruce McPherson

Standby Carpenter Jim Kennedy
Standby Painter George Griffiths

Extras Costumers Lynette Kuchera
Lorraine Price

First Assistant Hairstylist Linda Bougon

First Assistant Makeup Cathy Nicoll

Assistant Location Manager Jake Chapman

Transportation Captain Dennis Fitzgerald
Drivers Bob Thorner
Glenn Hunter
Dave Henderson
Bob Buxton
James Kish
Shawn Henter
Kathleen Vold
Jim Bain
Bruce McGregor

Production Assistants Brian Stapanzic
Tracy Noga
Randy Sexsmith

Extras Casting Krista Rurka
Extras Casting Assistant Shannon Ball

Catering Keith Church
Chef Kevin Colyn
Sous Chef Vance Wagner
First Aid/Craft Service Rachel Viszmeg
Assistant First Aid/Craft Service Nell Meers

Security Guard Peter Buryn

Post Production Sound by Soundelux
Dialogue & ADR Editors John C. Stuver, M.P.S.E.
Glynna Grimala
Sound Effects Editors Kenneth L. Johnson, M.P.S.E.
Harry Cohen, M.P.S.E.
Mark P. Stoeckinger
Digital Assistants Paul Flinchbaugh
Additional Sound Re-recording Mixers Jon Taylor
Christian P. Minkler
Additional Re-Recording Recordist Unsun Song

Re-Recording Facilities Provided by Todd AO
Re-Recording Recordist Robert Althoff
Dubbing Stage Engineer Jeff Malham
Foley Crew Brett Voss
Diane Marshall
ADR Mixers Robert Deschaine, C.A.S.
Weldon Brown
Greg Steele
Ron Bedrosian
ADR Recordists Tami Treadwell
Daryl Lathrop
Greg Zimmerman
Julio Carmona
Additional Audio Arda Gulesserian
Duke Lim
David Young
John Bires
ADR Walla Group The Reel Team
ADR Cast Steve Apostolina
Kurt Bailey
Bridget Hoffman
Heidi Brooke Meyers
Kerry Michelle
Kelsey Morgan
Jessica Pennington
Jacqueline Pinol
Juan Pope
Michelle Ruff
Justin Shenkarow
W.K. Stratton
Pepper Sweeney

Lab & Telecine Services Provided by Rainmaker

Online Services by Modern VideoFilm, Inc.
Post Project Manager Marisa Clayton
Post Project Coordinator Elona Culwell
Online Colorist Skip Kimball
Online Editor Bryan Cantrall
Electronic Graphics Casey Leming

Video Projection Equipment Provided by American Hi-Definition, Inc.

Digital Intermediate by EFILM (logo)
Digital Intermediate Colorist Natasha Leonnet
Digital Intermediate Colorist Assistant Tom Reiser
Digital Intermediate Editor Lisa Tutunjian
Digital Intermediate Optical Coordinator Danita Slaughter
Digital Opticals Patrick Clancey
Digital Intermediate Producer Elizabeth Dewey
Assistant DI Producer Robert Phillips

Title Design by
Studio at New Wave Entertainment

End Crawl by
Scarlet Letters

Visual Effects by Pixel Magic


Visual Effects Supervisor Raymond McIntyre, Jr.


General Manager Ray Scalice
Visual Effects Producer George Macri
Executive Producer Bonnie Kanner
Technical Production Supervisor Victor DiMichina
Digital Compositors Micheal Curtis
Patrick Flanagan
Geordie Spradling
John R. McConnell
Brad Moylan

CG Artists Kevin Kipper
Neal Sopata
Juan Carlos Vargas

Rotoscope & Paint Kevin Fisher

Visual Effects Editorial Franklin Cofod

XY&Z Visual Effects
VFX Supervisor Mike Uguccioni
Compositors Jamie Baxter
Roger Mocenigo
John Stewart

Visual Effects Produced by CIS Hollywood
Visual Effects Supervisor Gregory Liegey

Visual Effects Producer Lisa Maher

Visual Effects Coordinator Heather Elisa Hill

Compositors David Simmons
Joshua Charles Jordan

R&D Programmers Kyle Yamamoto
Robert Minsk

Systems Matt Ashton

Executive Producer Julie Orosz

Production Assistant James Kitazaki

Halon Entertainment
Visual Effects Supervisor Gregg Lukomski
Visual Effects Artists Dan Tindell
Julian Gleizer
Patrick J. Rodriguez

AVID Editing Systems Provided by Electric Picture Solutions, Inc.

Negative Services by Negative People, Inc.

Prints by Deluxe (logo)
Laboratory Color Timer Steve Sheridan
Laboratory Contact Saj Jayasinghe


Karaoke and Dental Videos Created by Matt Granger

For LIONSGATE:
Sr. VP, Production John Sacchi
Supervisor of Production Curtis A. Miller
Supervisor of Production Rosemary Lara

Executive VP, Business & Legal Affairs Robert Melnik
Assistant to Robert Melnik Whitney Evans
VP, Business & Legal Affairs Charlyn Adkins
Contract Administrator Bill Jacks
Development Administrator Chris Zerwas
Credits Coordinator Gina Powers
Co-President, Theatrical Marketing Tim Palen
Co-President, Theatrical Marketing Sarah Greenberg
Supervisor, Assets and Unit Publicity Yon Elvira
President of Music Jay Faires
Music Consultant David Falzone
Music Legal Terri DiPaolo
Music Clearance Jeanne Fay
Assistant to President of Music Michelle Pullman
Copyrights Diana Beas
Publishing Administration Parker Baggett
Soundtracks Chris Fagot


Production Financing Provided by Bank Leumi USA
Melanie L. Krinsky
Mandie Rush

Insurance Services Provided by AON/Albert G. Ruben Insurance
AON/Ruben-Winkler Entertainment Insurance Brokers

Completion Guarantee Provided by International Film Guarantors

Camera Packages Provided by Clairmont Camera
Motion Control Camera
Camera Cranes & Lifts by Production Equipment Rentals
Eagle Camera Support
Telescopic Camera Crane
Gillard Industries

Lighting and Grip Equipment Provided by Paramount Production Support
Remote Head Provided by All Axis Remote Systems

Camera Cars Provided by Precision Camera Cars Ltd.
English Bay Entertainment

Score Recorded and Mixed by Michael Stern
Electronic Programming by Jesse Voccia
Mateo Laboriel
Numark
Music Editors Bryan Elliot Lawson
Sam Zeines
Jeanette Surga

Temp Music Editor Charles Martin Inouye

Additional Music Supervision Tricia Holloway

"YOU MIGHT THINK"
Written by Ric Ocasek
Performed by The Cars
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing

"PHYSICAL"
Written by Stephen Alan Kipner and Terry Shaddick
Performed by Olivia Newton-John
Courtesy of Geffen Records
Under License from Universal Music Enterprises

"I WANT TO KNOW WHAT LOVE IS"
Written by Michael Jones
Performed by Foreigner
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing

"BELA LUGOSI'S DEAD"
Written by Daniel Ash, Kevin Dompe, Peter Murphy and David J. Haskins
Performed by Bauhaus
Courtesy of Bauhaus

"I TOUCH MYSELF"
Written by Christina Amphlett, Thomas Kelly, Mark McEntee and William Steinberg
Courtesy of Daiichi Kosho USA

"HEAVEN"
Written by Jani Lane
Courtesy of Priddis Music

"LOVE SHACK"
Written by Catherine Pierson, Frederick Schneider, Keith Strickland and Cynthia Wilson
Courtesy of StudioEast Recording Inc.

"LUCKY MAN"
Written by Gregory Lake
Courtesy of Sound Choice

"BOOBS A LOT"
Written by Stephen Weber
Performed by Dave Pelman
Courtesy of DP Music Production

"ACCIDENT PRONE"
Written by Jarrod Gorbel
Performed by The Honorary Title
Courtesy of Warner Bros. Records/Doghouse
By arrangement with Warner Music Group Film & TV Licensing

"GOOD LUCK CHUCK"
Written by Courtney Taylor-Taylor
Performed by The Dandy Warhols
Courtesy of The Dandy Warhols

"ALWAYS THE SAME"
Written by David Wright
Performed by Headway
Courtesy of Suretone Records

"YOU'RE GONNA GET IT"
Written by David Guy and Bosco Mann
Performed by Sharon Jones and The Dap-Kings
Courtesy of Daptone Records

"CAFÉ MUSE"
Written by Warren David Pelman
Performed by Dave Pelman
Courtesy of DP Music Production

"LOVE IT WHEN YOU CALL"
Written by Richard Jones and Daniel Sells
Performed by The Feeling
Courtesy of Island Records Limited
Under License from Universal Music Enterprises

"GOOD WEEKEND"
Written by Michael Breyer, Kevin Macklin, Friederike Siepe, Chris Ward and Ian Wilson
Performed by Art Brut
Courtesy of Downtown Records
By arrangement with Warner Music Group Film & TV Licensing

"CRAZY IN LOVE"
Written by Shawn Carter, Richard Harrison, Beyonce Knowles and Eugene Records
Performed by Antique Gold

"SHUT ME OUT"
Written by Aidan Hawken
Performed by Aidan Hawken
Courtesy of Find Records

"HURRY UP LET'S GO"
Written by Adam Olenius and Carl Von Arbin
Performed by The Shout Out Louds
Courtesy of Capital Records
Under License from EMI Film & Television Music

"I WAS ZAPPED BY THE LUCKY SUPER RAINBOW"
Written by The Flaming Lips
Performed by The Flaming Lips
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing


SOUNDTRACK AVAILABLE ON
LIONSGATE
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Special Thanks to:
BC Film Commission Diver Magazine
City of Vancouver City Hall Edwards Epp
Clearly Fun Soap, Inc. Family Communication
2 Kewt Fiesta
A Switch in Art Fitz & Floyd
American Media, Inc. Folkmanis Puppets
Jim Bridge Fossil Canada
Donna Geisneimer Geist Foundation
Artworks Gallery Homefolk, Inc.
Bau-Xi-Gallery Ltd. International Travel Maps
Bebbo Inc. Jacana Gallery
Benefit Cosmetics Jet Creations
Big Teaze Toys Kathleen Gavahan
Brethren Clothing Lippincott Williams & Wilkins
Buffalo Jeans Mac Fine Art & Design
Bway Malera Glasbruk AB/Mats Jonasson Maleras Sweden
Calvin Klein Martha Stewart Omnimedia
Carnation Home Fashion Meyda Tiffany
Cart Vending Services- Mr. Tubesteak Mousing Around
The Caithness Glass Company Ltd. Natures Path Organics
Christopher Williams Northern Rose
AION Gallery Pacific Rim Weddings
Cindy Sleeman Penguin Mints
Soho Café Project e
Crazy Shirts Rasta Imposta
David Mullen Tree Free
David Robinson Sassafras
Dennoyer Geppert International Scott Schafer
Diana Farris Gallery Sky Creations Inc. dba Earthtones
Somerset Weddings Skyflight Mobiles
Speedle & Co. Virginia Vanicki
Standard Specialty Co. Wedding Star Magazine
Stephen Joseph Alexandra and Company Whales & Friends
Streamline, Inc. Willow Creek Press
Ten Speed Press Anheuser-Busch, Incorporated
The Walrus Magazine Norm Marshall & Associates, Inc.
Too Faced Cosmetics Crown Royal
Transcontinental Media Magazine Group Inc. Johnnie Walker
Trovata, Inc. Don Julio
Vans Smirnoff
X-rated Mag-Lite
Arby's Tacori
Baskin Robbins USA Today
Capital One Variety
Dyson XBOX
Hawaiian Tropic Great Stuff Inc., a/k/a Great Big Stuff
K&M International Inc. Futuredontics, Inc. dba 1-800-DENTIST
American Airlines, Inc. Davie-Brown Entertainment
Pepsi Co. Adrenaline Rush by SoBe
Rogers & Cowan Perfectmatch.com
Creative Entertainment Services, Inc. Red Bull
Grace Marketing Feature This!
Motion Picture Magic Toyota Motor Sales, U.S.A., Inc.
MAC Cosmetics Cory Fuhr
Corbis, Inc. Jets & Props


Produced with the participation of the Province of British Columbia
Production Services Tax Credit

Produced with the assistance of the Government of Alberta, [logo] to right of recog. statement
Alberta Film Development Program

Filmed on location in Vancouver, British Columbia and Edmonton, Alberta, Canada

Financial Consultant Kim Arnott

African penguins provided courtesy of the African Penguin habitat at
West Edmonton Mall, The Greatest Indoor Show on Earth, Edmonton, Alberta Canada

Animals Provided by Woodley's Wildlife, Darcy and Steve Woodley

Canada Good Clothing Expeditions Clothing Outfitters, a division of Metrosportswear Ltd.
Restylane® supplied by HA North American Sales AB and Medicis Aesthetics Holdings Inc.


American Humane monitored the animal action.
(AHA 01336)

AHA Logo

In Memory of Larry Abbott



Kodak Clairmont
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IATSE TEAMSTERS local
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DGC UBCP
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DOLBY DIGITAL® DT S® SDDS®
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MPAA #43471
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MOTION PICTURE ASSOCIATION OF AMERICA


(C) 2007 Lions Gate Films Inc. All Rights Reserved.

THE PERSONS AND EVENTS IN THIS MOTION PICTURE ARE FICTITIOUS.
ANY SIMILARITY TO ACTUAL PERSONS OR EVENTS IS UNINTENTIONAL.

THIS MOTION PICTURE IS PROTECTED UNDER LAWS OF THE
UNITED STATES AND OTHER COUNTRIES.

UNAUTHORIZED DUPLICATION, DISTRIBUTION OR EXHIBITION MAY
RESULT IN CIVIL LIABILITY AND CRIMINAL PROSECUTION.

GOOD LUCK CHUCK


Karz Entertainment [logo]


LIONSGATE [logo]