Amy Millan - Masters of the Burial

Arts & Crafts

Amy Millan’s 2006 album, Honey from the Tombs, was one of the most unexpected releases from the Arts & Crafts canon. Millan’s other major venture, Stars, is one of the purest electro-pop bands in the country, so for her first solo effort to be a collection of whisky-smoked country tunes was a shock to the system. Masters of the Burial is more of the same, as if to nail home the point that she wasn’t joking the first time around. The album is instantly sweet and wistful like its predecessor, but it provides absolutely no evidence of forward progress in Millan’s songwriting.

Masters of the Burial is pretty harmless stuff — the perfect soundtrack to staring into your drink and wondering what you’re doing awake at this time of night. Still, if nothing else on the album inspires strong feelings one way or the other, one track certainly does: Millan’s take on Death Cab for Cutie’s “I Will Follow You Into the Dark.” It’s one of the most ill-conceived covers in recent memory. Slide guitar and a rumbling snare drum serve no purpose other than to strip the original of its emotional impact, and Millan’s vocal tendency to get quieter as she nears the end of each line doesn’t serve the lyrical payoffs.

Masters builds up some goodwill here and there, and Millan’s voice is sweet enough that you’ll forgive some of her weirder choices — but not all of them.


Comments: 2

ejselles wrote:

Wow. I find most of this review to be absolute bunk. Removing the "emotional impact" from the Death Cab track? Certainly not! Rather, she takes it, reworks it to make it her own, and provides an entirely new sense of how this song can resonate in someone. I suspect Mr. Atnikov is a Death Cab fan?...

on Oct 6th, 2009 at 12:32pm Report Abuse

timot wrote:

yeah, I agree. Millan's version is more mournful than Death Cab's, but at the same time manages to capture the playful connection necessary to promise something as outlandish as following someone "into the dark". You have to remember, these songs she's playing are songs she admittedly wishes she had written. She's not trying to cover them and give them the exact same feel. She's re-writing them the way she herself would have penned them in the first place, and she's doing a good job at it.
oh, and the snare drum doesn't rumble. it's the classic snare you want in this kind of folksy driven song.

on Oct 6th, 2009 at 12:48pm Report Abuse


Post comment: (Login or Register)


All Content Copyright © Fast Forward Weekly 1995-2011

About Us Contact Us Careers Privacy Policy Terms of Use