>>REVIEW
RISE: BLOOD HUNTER
STARRING Lucy Liu and Robert Forester
DIRECTED BY Sebastian Gutierrez
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Snakes on a Plane scribe, Sebastian Gutierrez, opts (unfortunately) for the directors chair with his latest script, Rise: Blood Hunter a muddled contribution to the vigilante vampire genre.
While Snakess campy premise and self-aware direction sat well with the escapism-hungry crowds of summer, Rise, with its pseudo-gothic script and shoddy production values, shamelessly asks to be taken seriously, and, in so doing, sets itself up for a mighty hard fall.
Along for the fall is Lucy Liu who, I rationalize, signed on to the project before actually reading the script. Liu plays Sadie Blake, a journalist who wakes up entombed in the city morgue, sporting nothing but a gashed throat and toe-tag. Upon discovering her immortal ways, Blake sets out, armed with a puny crossbow, to slay all those responsible for her injustice/death. A small parade of brazenly one-dimensional characters then enters and exits the picture, existing only for the convenience of a narrative so underdeveloped its insulting.
Theres a bit of an ironic twist in that the films obvious budgetary restrictions inadvertently produce its most innovative concept vampires who possess none of the superhuman qualities (with the exception of immortality) so often attributed to them. Unfortunately, Gutierrezs script refuses to embrace its low-budget roots and ignores completely the analogous potential of having these inherently selfish beings so closely removed from humans.
Instead, were offered a sloppy story derived from bigger (and better) films but lacking the effects, choreography and storytelling to adequately emulate them. A desperate editing room decision to break the linear narrative (by using an irrelevant sequence from the middle to open the film) is entirely superfluous and only highlights a lack of confidence in the source material.
Genre enthusiasts will be dismayed by the absence of any real insight into the world of vampirism the rest of us will hate it for everything else. |