Preview
SEKIDEN
Saturday, April 10
Liberty Lounge
Brisbane, Australia. Population: three million. Musical exports: The Saints and the Go-Betweens. Location: approximately 12 hours north of Sydney by car.
When I ask Simon Graydon, the guitarist for three-piece synth-popsters Sekiden, for some background on his band, these are the geographic stats he offers. Hes not skirting the issue. He duly informs me that Sekidens discography consists of two EPs and a new full-length, but he is very specific about where they come from.
"I dont even think of us as an Australian band," he says. "I always think of us as a Brisbane band. Australias got this thing where its isolated and weve got some amazing bands because we are so far away from everything else. But within Australia, Brisbane is even further out from that again, cause all the music industry stuff is in Sydney and Melbourne. Im always flying the Brisbane flag."
This is in direct opposition to a phenomenon that, according to Graydon, runs rampant in the music scene down under tall poppy syndrome. It seems that Australians are particularly hard on their own. "You want to cut that flower down when it gets too high. As soon as a band gets popular in Australia they get cut down," says Graydon. "You dont even want to know what we think of The Vines and Jet back home. Even if you had a good band that got big theres still the haters."
Ironically, with that statement Graydon goes on to tell me about all the great bands that work twice as hard as the last two he mentioned. Before I let him tell you who to check out the next time youre in Brisbane, let me tell you why you should check out Sekiden.
Sekiden were formed six years ago when Graydon and long-time friend, ex-patriot German and drummer Mirko Vogel were joined by Vogels sister Seja on keyboards. As a three-piece they offer a huge sound with economic touring potential. "Youre more like ninjas," says Graydon, "in that you are more efficient, its cheaper to travel and theres less people to organize in the morning."
Describing their sound as 50s-or-60s rock played like the future sounded in the 70s, their latest album Junior Fiction offers raging pop melodies, sweet vocal harmonies and you guessed it synthesizers.
"I prefer synths that sound like synthesizers," says Graydon, "not synths that sound like woodwind or brass." While Graydons childhood nostalgia for the synth goes back to Duran Duran, Sekiden play fuzzy, good-time pop with nods to bands such as The Rentals and The Cars. Its this keenly honed sense of pop that has made them part of the small but vibrant Brisbane music scene.
"There are probably a couple hundred people in the town who go to shows, but theyre all in bands and theyre all really good," says Graydon, citing two of his favourites. "Turnpike, who sound like Polvo and Sonic Youth
have been doing it for 10 years. I see a band like (And You Will Know Us by the) Trail of Dead and I think Ive got that band they live in my town.
"Theres a band called Screamfeeder and if they were from Minneapolis theyd be bigger than Husker Du, but it gets kind of isolated."
Not that Graydon feels limited by his location. The man who produced Junior Fiction, Magoo, is not only their dream producer, but a Brisbane native. Graydon continues to boast about the Brisbane scene with a seemingly endless list of bands who, in his opinion, are not only great musicians, but great people.
When I ask Graydon to rate himself against Australias other musical exports he seems at a loss. "I couldnt really rate us. Theres too many genius bands. You cant even compare yourself to AC-DC." However, when I turn the conversation towards Russell Crowes band he has a change of heart. "I think wed put ourselves higher than Thirty Odd Foot of Grunts."
CELEB TOP FIVE
Top Five best things about Canada according to Simon Graydon of Australias Sekiden
1. Snowballs actually being able to pick up snow and throw it at someones head.
2. The beer.
3. Driving on the other side of the road.
4. Toonies they look pretty cool.
5. Cheap CDs. |